Yanzhen is a visual and sound artist born in Foshan, China. 

Her London journey has been unfolding since 2021. 
After graduating from Camberwell College of Arts, 
she continues to explore through drawing, painting, moving image, sound, and installation. Her style moves beyond boundaries, leaning toward a sensuous and poetic expression. 

Rooted in Buddhist and Taoist philosophy, her work drifts between ideas of impermanence, time, and belonging, quietly observing how things change, fade, and return. She contemplates humanity’s place within the vastness of the universe, asking how we live with ourselves and with others, and how we understand the past and the future, where we come from and where we are going. 
Her ultimate aspiration is to create soft and honest communication through her work. 
Inquiries are welcome—let the journey unfold together.


Email: hyanzzhen@gmail.com
Instagram: @Singsingsan




















 
















Moving Image





“Long divided, must unite; long united, must divide.” Influenced by Taoist philosophy, which emphasises the interconnectedness of all things and the flux between balance and chaos, Drift is an experimental moving-image work composed of archival footage and an original soundtrack by the artist. Structured as a non-linear narrative, the film reflects on the cyclical rhythm of war and time, where destruction turns into renewal and motion dissolves into stillness. A red ball drifts through shifting landscapes of nature and machinery, echoing humanity’s perpetual search for equilibrium within change. Rooted in both historical and philosophical reflection, Drift wonders whether progress is truly forward — or simply a quiet return within the same eternal flow.






is a film about hearts that never align, tears falling onto the dinner table, words left unspoken, and the melody born of unknown collisions. 
It unfolds on the emotional and linguistic level. Taking the Earth’s tilted axis as a metaphor, it reflects on the delicate imbalance that allows life and the rhythm of the seasons to exist. Yet this same eternal tilt between human perspectives makes complete understanding impossible. Within that helplessness, there is also a kind of beauty, as this very angle allows the marbles to roll, letting each individual compose their own music.









Inspired by Borges’s “To a Coin”, Key things reflects on how memory and time diverge from a single gesture—a coin sinking into the sea. Moving between London, Hastings, and Foshan, it intertwines fragments of personal geography; a map of the artist’s hometown appears quietly in the background, like the texture of remembrance. Layered images and sounds form a drifting narrative where the moon, the sea, and a lost key recur as symbols of search and return. The work asks, in a gentle way, whether the spaces we leave behind continue to listen for our echoes — and leave a trace of evidence.













May I read your palm?

                                                                                                                                                                                          
 







                                                                                  














                                                                                               

























 









AIGC
































A tribute to the insomnia from One Hundred Years of Solitude. 灵感来自百年孤独中的失眠症








AIGC version of Ernest Hemingway‘s The Moveable Feast









A fridge as a letter. 
An experiment in combining AIGC with live-action footage.


                                                                                                   





Sampling the Voyager Golden Record: animal calls, nature’s whispers, greetings in many tongues, and music across cultures—even the brainwaves of someone in love. Before the era of the 'Dark Forest,' we looked toward the stars with hope, launching this record like a message in a bottle into the vast sea of the universe. 我们采样了旅行者一号金唱片里动物和自然界的声音,人们用不同语言,录下的对外星文明的问候,不同文化的音乐,还有一段一个人坠入爱河时的脑电波……当时还没有“黑暗森林”,人们对外星文明充满了爱与希望,把金唱片当做宇宙之海的漂流瓶。










                                                                                               






AIMV 



































 
















  

                     I sent a Marble to the
Nail Jungle  







                                                                 



The dinner table serves as a space for communication, witnessing both laughter and tears, understandings, and misunderstandings. The slanted table and the film I made echoes poet Paul Celan's common technique of "Neigungswinkel"—the tilt of perspective, where everyone's viewpoint shifts depending on their position. Nails lie beneath, invisible yet palpable, symbolising the barriers in our communication. The languages we speak are like glass marbles, rolling down and colliding with the nails, composing the rhythm and melody of conversation. Standing at the centre of the table is a taller nail, symbolising the core of understanding. Despite the slim chance of the glass marbles touching the core, the process and effort of navigating obstacles remain invaluable.


                           



On the brink of graduation, I feel like one of those marbles I played with on the pinboard as a kid moving forward amidst endless possibilities, 
composing music through each turn and twist.


         











Casebook: The Absent City




The book "The Absent City" written by Piglia tells story around an Story Machine. The unmentioned historical background in the book mirrors the reality that the author, Piglia, seeks to portray. To convey it without censorship, he presents fragmented versions of stories. Each version supplements the absent elements in the others.

To communicate my concept of "finding the absence," I decided to extract key parts and create a "casebook," allowing readers to act as detectives and gain a deeper understanding. Inspired by the Archive, I included different information (letters, stories, diary, medical report, etc.) that reflect the plot in my casebook. I provided some original text as well as my own writing in those varies formates.

 
















      “Absence is a material reality, like a hole in the grass.”





Cassette is an important element in The Absent City, it symbolises the copies of truth and memory that spread in the society. I decided to bind my book in a way that can be expanded like a tape. The book can be flip through in both directions. Usually a cassette has two side, so I included stories on the A side and a written critical essay of my founding ( also a reading guide to the book) on the B side.







Some of the scaned pages










.





 





                 



Samsara


This series explores the transformation of matter and the impermanence of life.

Bob Dylan once said, “No one is free, even the birds are chained to the sky.” In ancient China, true freedom was described as “sharing one’s body with the sky and the earth.” Do we really possess free will, or are our choices and emotions governed by the reward system — a cycle of pleasure and desire that endlessly drives us to seek more?

                       








































Dream
 inside 
Dream


Things arise, transform, and fade within their own dimensions of time, like slices of amber unfolding in distinct temporal streams. Time is no longer linear but becomes an infinite field of perception, where life exists as both an instant and an eternity. It is composed of countless parallel flows, reflecting impermanence, interdependence, and the relativistic nature of spacetime.

Anatomy of Amber
Oil on canvas



See You Accordion
Oil on canvas





























  

                       Moths
Among
                       Us